01 · Tri-X 400
The work
Four ways of seeing
Every wedding has its own light and its own register. These four bodies of work are the range I bring to a day. Below them sit four complete albums, so you can see whole days rather than only the frames that flatter me.
I — Editorial
Clean lines. Intentional light.
Graphic compositions, precise framing, a directorial eye. These images are built rather than found, for couples who want the day to read like a fashion story.
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II — Film
Warm grain. Honest colour.
Processed to hold on to what analogue does well: the softness, the warmth, highlights that roll off instead of clipping. This is the work couples come back to in twenty years.
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III — Analogue
Fade. Grain. Memory.
Expired stock palettes and the nostalgic warmth of Super 8 and Kodachrome. These photographs look like they were found in a shoebox, in the best possible way.
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IV — Documentary
Real moments. Real people.
Unposed and unmanaged. The kind of coverage that gives you back the parts of the day you were too present to notice while they were happening.
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V — The albums
Whole days
Four weddings shown in full, in the order they happened. Open one and it runs from the first frame to the last, including the quiet parts a highlight reel leaves out.
02 · Fuji 400H
Sofia & Lucas
03 · Portra 400
Margaux & Antoine
04 · Portra 800
Eleanor & James
“If something in these pages felt like it belongs to you, I’d like to hear about your day.”